"Today I WILL...
BE known as someone who laughs easily.SAY 'I love you' to all my beloved relatives and friends.LISTEN intently as someone speaks to me.DELIGHT in the little things.CHOOSE to be grateful instead of feeling sorry for…"
"Hi.... I just want to share a short poem that I wrote with you.. Be encouraged.. ;) http://www.youtube.com/watch?v=wJuilB4AoSU I have unfortunately, used up all of my friend requests.. but if you request me I believe I can accept.. I would love to…"
Trust in the LORD with all your heart And do not lean on your own understanding. In all your ways acknowledge Him, And He will make your paths straight.
BE BLESSED AND BE A BLESSING!
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BE known as someone who laughs easily. SAY 'I love you' to all my beloved relatives and friends. LISTEN intently as someone speaks to me. DELIGHT in the little things. CHOOSE to be grateful instead of feeling sorry for myself. NOT TRY to be perfect, but to truly know my real value. TRY to see others point of view. GIVE thanks for all my blessings.
What WILL you do today?
Ne te fie pas aux apparences, elles sont souvent trompeuses… Ne t'intéresse pas à la richesse, elle disparaîtra…
Cherche quelqu'un qui te communique le rire, car il en suffit d'un pour que la journée la plus triste devienne meilleure. Cherche quelqu'un qui fasse rire ton cœur !
Hi Shula im Steven, I dont speak french haha, I wonderd how long have ou bean a christian. all da best Steve
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LIONEL DELASSE - SEVENTH-DAY ADVENTIST CHURCH ABOUT MUSIC in french
Une réflexion pertinente présentée par Lionel DELASSE sur la musique que nous écoutons, les idoles que nous admirons voire vénérons et les conséquences néfastes de cette mondaine influence dans notre relation avec Dieu.
"Ne savez-vous pas que vous êtes le temple de Dieu, et que l'Esprit de Dieu habite en vous? Si quelqu'un détruit le temple de Dieu, Dieu le détruira; car le temple de Dieu est saint, et c'est ce que vous êtes. Que nul ne s'abuse lui-même: si quelqu'un parmi vous pense être sage selon ce siècle, qu'il devienne fou, afin de devenir sage." 1 Corinthiens 3:16-18
"Quand les montagnes s'éloigneraient, Quand les collines chancelleraient, Mon amour ne s'éloignera point de toi, Et mon alliance de paix ne chancellera point, Dit l'Eternel, qui a compassion de toi." ESAIE 54:10
"Alors, pourquoi dois-je écouter mon coeur ? - Parce que tu n'arriveras jamais à le faire taire. Et même si tu feins de ne pas entendre ce qu'il te dit, il sera là, dans ta poitrine, et ne cessera de répéter ce qu'il pense de la vie et du monde." Paulo Coelho
"This is what we call love. When you are loved, you can do anything in creation. When you are loved, there's no need at all to understand what's happening, because everything happens within you." Paulo Coelho
Shula : From the same root as Shalom sh-l-m. Refers to a cycle, returning, health, peace, greetings, and many other things. It is also the name of the lover in the "Song of Songs." Generally miss-translated in Bibles into English as "Shulamite." The Shulamite woman.
[ syll.(s)hu-la-mi-te, sh-ulam-ite ] The baby girl name Shulamite is pronounced as -SHUWLAEMAYT- †. Shulamite's origin and use are both in the Hebrew language.
† approx English pronunciation for Shulamite: SH as in "she (SH.IY)" ; UW as in "two (T.UW)" ; L as in "lay (L.EY)" ; AE as in "at (AE.T)" ; M as in "me (M.IY)" ; AY as in "side (S.AY.D)" ; T as in "tee (T.IY)"
☺ Soyons reconnaissants aux personnes qui nous donnent du bonheur ;Elles sont les charmants jardiniers par qui nos âmes sont fleuries.☺ Proust
"A chaque être, correspond une forme d'amour spécifique ;
son bonheur est de la rencontrer."
Jean Simard
*I don't want to be a DROP in your OCEAN of FRIENDS I want to be your LOVED ONE I want to be your EVEYTHING And you to be my EVERYTHING*
♔ *S'il te faut l'aurore pour croire au lendemain Et des lendemains pour pouvoir espérer* ☂ *Alors tu n'as rien compris* ☂ Jacques Brel
*Tu seras aimé(e) le jour où tu pourras montrer ta faiblesse sans que l'autre ne s'en serve pour affirmer sa force*
*Dis-moi qui tu aimes, je te dirai qui tu es* Victor Hugo
*Aime-t-on parce qu’on rencontre un être qu’on croit crée pour soi* *ou aime-t-on parce qu’on est né avec la faculté d’aimer*? Maupassant
"Pour être aimé, soyez discret, - La clé des coeurs, c'est le secret." Jean-Pierre Claris de Florian
"Chaque désespoir sur cette terre est un hurlement à l'amour qui n'a pas été donné ou à l'amour qui n'a pas été reçu." Danièle Starenkyj -' Le désir féminin: ce que femme veut'
"Ce n'est pas à une femme d'aimer un homme comme il aurait voulu être aimé de ses parents... C'est de toute façon une impossibilité, et quiconque croit pouvoir le faire, va au-devant de la folie. " Danièle Starenkyj
Oh ! si tu étais attentif à Mes commandements ! Ton bien-être serait comme un fleuve et ton bonheur comme les flots de la mer. Esaïe 48:18
” Quand une femme est la douceur et le trouble, l’amusement et la gravité, la nouveauté et la mémoire, le voyage et la demeure… Quel homme digne de ce nom refuse ce miracle et choisit de fuir en invoquant l’inconfort d’aimer ?” Erik Orsenna
Solomon had many women. Why would he write about the Shulamite? He wrote about her because she was the one who got away. He had all the wealth, all the woman and all the wisdom he could desire but he wanted this little woman as well. But she resisted all his offers and eventually got away.
Some commentators have thought that she was Pharaoh’s daughter or the Queen of Sheba. But again this cannot be so. She was not rich, powerful or foreign. We are told that she tended sheep and tended to vineyards and as a result she was heavily sunburnt (Song 1:6). Her mother was a widow and she had brothers.
She is always associated in the song with villages, fields, gardens, sheepfolds and mountains; not palaces, princes and power. Her name comes from Shulem or Shunem a small village near Nazareth (Song 6:13)
Le Cantique des Cantiques revêt la forme d'une suite de poèmes, de chants d'amour alternés entre une femme et un homme (ou même où plusieurs couples s'expriment), qui prennent à témoin d'autres personnes et des éléments de la nature. C'est l'un des livres de la Bible les plus poétiques. Sa composition est attribuée à un compilateur du IVe siècle av. J.‑C. qui y aurait fondu différents poèmes.
On a même avancé l'hypothèse que le Cantique des Cantiques ait pu avoir été rédigé par une femme, comme le pense par exemple l'exégète André Lacocque1, étant donné la large place qui y est laissée aux personnages féminins. On retrouve des parallèles à de nombreuses expressions du Cantique dans la littérature du Proche-Orient ancien, notamment dans les poèmes d'amour égyptiens. Le cadre géographique et social est suggéré par quelques noms propres (Jérusalem, Tirça, le Liban), mais de telles références ne permettent pas de fixer avec certitude la date et le lieu de rédaction du Cantique des Cantiques. Le livre a d'abord été rejeté à cause de son caractère profane, dont témoignent les nombreuses images érotiques comme : « Tes seins sont comme deux faons, jumeaux d'une gazelle » ou « Ta poitrine comme les raisins mûrs ».
On le considérer comme une collection de poèmes décrivant l'amour entre une jeune fille et son amoureux, dont on fait parfois un couple marié, croyant y déceler des noces. Cette conception s'appuie sur le fait que cette compréhension est proche, voire correspond parfaitement à la pensée hébraïque, alors que selon elle la première alternative allégorique serait trop influencée par la pensée grecque considérant le corps comme quelque chose de méprisable ou de spirituellement indigne (allusions étant parfois faites à Aristote, à Platon et au gnosticisme des premiers siècles de l'ère chrétienne, puis à la pensée de Saint Augustin qui a grandement influencé la doctrine catholique). Nous avons pourtant, dans ce livre, affaire à un amour sensuel et passant continuellement par l'exaltation de la beauté et les relations physiques. Le langage hébraïque du livre fait clairement référence %
The Shulamite Cinderella Act 1: Put to Work! Solomon had a vineyard in the hill country of Ephraim, just outside the little town of Shunam, about 50-miles north of Jerusalem (8:11). The vineyard was rented out to a family of sharecroppers, consisting of a mother, two sons, and two daughters. The oldest of these girls was the Shulamite, and the youngest, her little sister (6:13; 8:8).
The Shulamite was the Cinderella of the family, having great natural beauty, but unnoticed by the world. Her brothers made her work very hard, tending to the vineyards, so that she had little opportunity to care for her personal appearance. (1:6) She pruned the vines, she set traps for the little foxes (2:15), she also kept the flocks (1:8).From being out in the open so often, she became sunburned (1:6)
Act 2: The Shepherd Stranger One day a mysterious, handsome stranger comes to the vineyard and soon wins the heart of the Shulamite girl. Unknown to her, he is really Solomon, disguised as a lowly shepherd. She asks about his flocks (1:7). He answers evasively, but is very definite concerning his love for her (1:8-10). He leaves her, but promises he will someday return to her. During his absence she dreams of him on two occasions;
a. First Dream - that they are already married and that one night she awakens to find him missing from her bed. She quickly dresses and goes out looking for him (3:2-4). b. Second Dream - that her beloved has returned and besought her to open the door and let him in. But she refuses for she is unwilling to re-clothe herself and soil her feet going to the door. Soon however, her heart smites her for this shabby action and she leaps for the door. But alas, he has gone! "I rose up to open to my beloved; and my hands dropped with myrrh, and my fingers with sweet smelling myrrh, upon the handles of the lock. I opened to my beloved; but my beloved had withdrawn himself, and was gone: my soul failed when he spake: I sought him, but I could not find him; I called him, but he gave me no answer." (5:4-6) Suddenly and joyfully she discovers his whereabouts. These then, are her two dreams concerning the mysterious shepherd lover of the Shulamite girl. But why did he leave her? Where did he go? Would he ever return?
Act 3: The Mighty Monarch One day the little town of Shunam receives some electrifying news. King Solomon himself is approaching their city. But the lovesick and lonely maiden is not interested, and takes no further notice until word is brought to her that the powerful potentate himself desires to see her. She is puzzled until she is brought into his presence, where she recognizes him as her beloved shepherd. He then gently explains to her that although he has already gathered sixty wives, eighty concubines, and unnumbered virgins, that she will be his choice bride and true love (6:8). He invites her to come with him and promises to care for her little sister (8:8, 9). The bride is then placed in the King's chariot, made from the wood of Lebanon, with silver posts, a golden canopy, and purple seating (3:9, 10). Together, they ride off to the Royal Palace in Jerusalem, accompanied by sixty mighty swordsmen and experienced body guards (3:7, 8)
In Conclusion Solomon, represents Christ as the triumphant prince of peace. The camp in the wilderness represents the Church in the world; the peaceful reign of Solomon, after all enemies had been subdued, represents the Church in heaven, of which joy the Song gives a foretaste. The interpretation is twofold: 1. Primarily, the book is the expression of pure marital love as ordained of God in creation, and the vindication of that love as against both asceticism and lust--the two profanations of the holiness of marriage. 2. The secondary and larger interpretation is of Christ, the Son and His heavenly bride, the Church.
Scripture Reading: Song of Songs 1:1-4:16; 2 Corinthians 8:16-24; Psalm 50:1-23; Proverbs 22:22-23
Song of Songs 1:1-4:16
When I was around ten or eleven years old I was taken to a movie. I don't remember much about the movie, but I do remember that in the movie at one point, a man was in bed with a woman. In our modern day and with our modern media, this would appear to be no big deal. But at that time in my life, I was completely embarrassed. I felt that I was seeing something that was meant to be private and sacred. The intimacy of a man in bed with a woman was not to be violated by outsiders. As I write this in the year 2011, we are so far from treating images of sexual relationships as sacred that my reaction as a young girl seems almost absurd.
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